
After graduating from finishing school, Helen Wainwright moves in with her aunt, Mrs. Wainwright, who wants her to marry millionaire Lee Morton.


Everything for Sale is less a film than a velvet scalpel—sliding through the corseted morals of 1923 and exposing the auction block on which women, reputations, and futures are daily appraised. Director Fred J. Lincoln, armed only with monochrome nitrate and the flicker of gaslight, stages a ballroom sequence worthy...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Frank O'Connor

Robert N. Bradbury
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" Everything for Sale is less a film than a velvet scalpel—sliding through the corseted morals of 1923 and exposing the auction block on which women, reputations, and futures are daily appraised. Director Fred J. Lincoln, armed only with monochrome nitrate and the flicker of gaslight, stages a ballroom sequence worthy of Fragonard: chandeliers drip like diamond stalactites while Helen’s white-gloved suitors orbit her like planets indebted to a golden sun. The camera, starved of sync sound yet g..."
Hector Turnbull
United States


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