During the Civil War, young widow Rachel Hayne is among those "held by the enemy" when her old family home is within the lines occupied by the Northern troops. Protected by Colonel Prescott from looters and the unwelcome attentions of Surgeon Fielding, Rachel begins to fall in love with the gallant Yankee officer.


The annals of silent cinema are frequently populated by simplistic dichotomies of virtue and villainy, yet Held by the Enemy (1920) emerges as a strikingly nuanced meditation on the permeable boundaries of loyalty. Adapted from the stage play by William Gillette—the man who fundamentally defined the visual lexicon of S...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Donald Crisp

Donald Crisp
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"The annals of silent cinema are frequently populated by simplistic dichotomies of virtue and villainy, yet Held by the Enemy (1920) emerges as a strikingly nuanced meditation on the permeable boundaries of loyalty. Adapted from the stage play by William Gillette—the man who fundamentally defined the visual lexicon of Sherlock Holmes—this production navigates the visceral tensions of the American Civil War not through the grandiosity of the battlefield, but through the claustrophobic intimacy of ..."

Robert Cain
Beulah Marie Dix, William Gillette
United States


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