Max, Moritz and Pep are janitors and bootblacks and doormen in an underworld dance palace. One of them is beaten up by a thug customer and the others go to his rescue, including a bevy of messenger boys on their bicycles.
United States
In the annals of silent-era cinema, few works capture the raw, unvarnished pulse of the urban underbelly with the same idiosyncratic vigor as Lewis Seiler’s 1927 effort, He's My Pal. While contemporary audiences might initially mistake the title for a saccharine exploration of friendship, the film is, in reality, a mus...
Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Lewis Seiler
Henry Edwards
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"In the annals of silent-era cinema, few works capture the raw, unvarnished pulse of the urban underbelly with the same idiosyncratic vigor as Lewis Seiler’s 1927 effort, He's My Pal. While contemporary audiences might initially mistake the title for a saccharine exploration of friendship, the film is, in reality, a muscular, often abrasive study of survival within the predatory ecosystem of the 'underworld dance palace.' Seiler, a director frequently overshadowed by his more prestigious peers, d..."
