Bobby hires himself out as a pet monkey to an organ grinder who has an attractive dancing girl for an assistant. A monkey of about Bobby's size and build escapes from a cage in the city hospital, where it was being held for an experimental operation.

United States

Cinema’s earliest funhouse mirrors already knew how to bend the human figure into a punchline, yet few distortions feel as exquisitely cruel—or as cathartic—as the one Harold Lloyd never made but Bobby Dunn survives in His Meal Ticket. Picture the opening tableau: a noon-time artery of a nameless American city, circ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Edward F. Cline

Edward F. Cline
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" Cinema’s earliest funhouse mirrors already knew how to bend the human figure into a punchline, yet few distortions feel as exquisitely cruel—or as cathartic—as the one Harold Lloyd never made but Bobby Dunn survives in His Meal Ticket. Picture the opening tableau: a noon-time artery of a nameless American city, circa 1920, where the air tastes of coal smoke and cheap taffy. Into this drifts a naïf with a face built for optimism and pockets built for lint. He trades the last vestige of selfhoo..."


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