

The first thing that strikes you about Il giro del mondo di un biricchino di Parigi is that it behaves less like a film and more like a fever telegram delivered by a sleep-deprived postman: each intertitle crackles, each tinted frame seems wet to the touch, and the protagonist’s grin—half-crescent, half-scar—slides a...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Luigi Maggi

Luigi Maggi
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" The first thing that strikes you about Il giro del mondo di un biricchino di Parigi is that it behaves less like a film and more like a fever telegram delivered by a sleep-deprived postman: each intertitle crackles, each tinted frame seems wet to the touch, and the protagonist’s grin—half-crescent, half-scar—slides across the screen like a misplaced iris shot. Dante Cappelli, credited simply as “Il Biricchino,” possesses the elastic physicality of an exclamation mark; he vaults from cobbleston..."

