Joy and the Dragon
Summary
Storm-scarred, salt-bitten, and suddenly parentless, infant Joy—swaddled in heirlooms that glitter like captive constellations—drifts from the Atlantic’s indifferent darkness into a coastal hamlet where the sea itself seems to pawn her off on a net of calloused fishermen. She is passed, like contraband pearls, to a granite orphanage whose Gothic eaves drip piety by day and larceny after curfew; within those walls, matronly smiles calcify into ledgers of ransom, for the child’s linen-wrapped dowage of rubies and sapphires has become the institution’s clandestine treasury. By candle-gutter she learns the arithmetic of captivity: one doll equals one day of pretend-love, one jewel equals one more bolt on the gate. At seven she engineers a moonlit exodus, slipping through a skylight like a comma evading a sentence, but leaves behind the gems—her mother’s last pulse of light—thereby turning the orphanage into a cathedral of guilt she intends to topple. A westbound locomotive, all soot and thunder, becomes her foster cradle; she rides the rods between coal-dust and star-dust until prairie air, tasting of wheat and open verdicts, fills her lungs. There she collides with Hal Lewis, a man whose blood is bluer than his prospects, exiled by pedigree, wearing failure like a boutonnière. The moment he lifts the stowaway—feather-weight, story-heavy—his cynicism cracks like river-ice in April. Through her eyes he sees the unpaid debt of his own privilege; through his protection she learns that not every embrace is ledgered. Together they ride east again, a makeshift family forged in the crucible of each other’s absences, to confront the marble foyer that once pronounced him prodigal. The father’s forgiveness is terse but seismic, a tectonic shift that sends Hal, now armored in paternal purpose, back to the orphanage like an avenging comptroller. With civic militia and moral arithmetic he razes the racket, reclaims the gems, and returns them to Joy—not as baubles but as relics of resilience, transforming treasure into testimony.
Synopsis
Young Joy ( Baby Marie Osborne ), the sole survivor of a shipwreck that killed her parents, is rescued by fishermen and then placed in an orphanage. Although reputable on the surface, the home really functions as a front for some crooks who want to keep Joy there because she carries with her all of her mother's jewelry. Joy manages to escape, but without the jewels, and then stows away on a train heading out West. After arriving, she meets Hal Lewis ( Henry King ), who has been made an outcast by his upper crust Eastern family. Hal soon adopts the little girl and, becoming stronger and more serious through the responsibilities of parenthood, he returns home with Joy. Then, after receiving his father's forgiveness, Hal breaks up the orphanage gang and retrieves Joy's jewels.
