
A small town during the 15th century. A band of smugglers settle in the abandoned Grey Tower.


To gaze upon the frames of Le Diable dans la ville (1924) is to witness the collision of French Impressionism with the primal, atavistic fears of the Middle Ages. Directed by the visionary Germaine Dulac and penned by Jean-Louis Bouquet, this film is far more than a period piece; it is a psychological autopsy of a co...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Germaine Dulac

Maurice Elvey
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" To gaze upon the frames of Le Diable dans la ville (1924) is to witness the collision of French Impressionism with the primal, atavistic fears of the Middle Ages. Directed by the visionary Germaine Dulac and penned by Jean-Louis Bouquet, this film is far more than a period piece; it is a psychological autopsy of a community in the throes of a self-inflicted hysteria. While many of its contemporaries were preoccupied with the burgeoning urbanity of the 1920s, Dulac retreated five centuries into..."
René Donnio
Jean-Louis Bouquet
France


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