Henry Warburton, who is compelled to wait 9 years before coming into a willed inheritance, retires to the backwoods and marries Nola, a girl with no refinement or social graces. At length, his friend Grant Hamilton visits him, sees in Nola possibilities to which Warburton is blind, and "kidnaps" her.


Nine years of fiscal purgatory ought to breed bitterness, yet Edgar Jones’ Lonesome Corners (1913) distills that stagnation into a lyrical fever dream of backwoods myth-making, social ventriloquism, and the chrysalis of womanhood. Shot on volatile nitrate that now survives only in a single tinted 35 mm print at the L...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Edgar Jones

Edgar Jones
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" Nine years of fiscal purgatory ought to breed bitterness, yet Edgar Jones’ Lonesome Corners (1913) distills that stagnation into a lyrical fever dream of backwoods myth-making, social ventriloquism, and the chrysalis of womanhood. Shot on volatile nitrate that now survives only in a single tinted 35 mm print at the Library of Congress, the film unfurls like a daguerreotype soaked in kerosene: edges curling, emulsion crackling, but the faces—Edna May Sperl’s Nola especially—bleeding amber light..."
Lillian Lorraine
Edgar Jones
United States


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