
Upon her stepfather's death, the custody of Jane Day is willed to his wealthy young nephew, Jim Atherton. When Jim, accompanied by his fiancée, visits his ward, Jane becomes so upset at their intrusion that she runs away to the city with her dog, Buddie.


Love’s Harvest germinated in that twilight zone where Victorian guardianship laws and Jazz-Age yearnings overlap, a hothouse bloom of improbable custodianship and even more improbable ardor. The film—long buried beneath the sediment of Traffic in Souls sensationalism—surfaces now like a tintype soaked in sepia champa...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Howard M. Mitchell

Edward LeSaint
Community
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" Love’s Harvest germinated in that twilight zone where Victorian guardianship laws and Jazz-Age yearnings overlap, a hothouse bloom of improbable custodianship and even more improbable ardor. The film—long buried beneath the sediment of Traffic in Souls sensationalism—surfaces now like a tintype soaked in sepia champagne, its frames trembling with the same insurgent heartbeat that powered When a Girl Loves. Director Paul Scardon, never a household crest, nevertheless composes each reel as thou..."
Edwin B. Tilton
Isabel Johnston, Pearl Doles Bell
United States

