Bobbie Walters, a cab driver in a Midwest city who is trying to save enough money to marry his sweetheart, Dorothy Wright, an attendant at the cigar and newspaper counter of a large hotel, is able to amass $15,000. He acts like a millionaire and soon is fleeced of the money by two Wall Street swindlers.

There is a moment—somewhere between the tenth oyster and the first saxophone bleat—when Bobbie Walters, still smelling of gasoline and starched collar, realizes that money is not a number but a hallucination shared by everyone in the room. Millionaire for a Day captures that vertigo with such merciless clarity that yo...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Aubrey M. Kennedy

Unknown Director
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" There is a moment—somewhere between the tenth oyster and the first saxophone bleat—when Bobbie Walters, still smelling of gasoline and starched collar, realizes that money is not a number but a hallucination shared by everyone in the room. Millionaire for a Day captures that vertigo with such merciless clarity that you half-expect the celluloid itself to perspire. The picture, shot in the fevered summer of 1924, belongs to that delicious interregnum when the nickelodeon had died but the Hays O..."
Arthur Guy Empey, William Addison Lathrop
United States

1924 · IMDb —


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