Summary
A convict’s shadow peels off the stone walls of Fremantle Prison, becomes a wraith among tuart trees, and re-materialises in London drawing-rooms as the philanthropic enigma Mr Wyville; between these two skins—fetid iron and starched linen—lies a chrysalis of gold-rich earth shown to him by Noongar companions who christen him Moondyne, syllables that echo like clap-sticks across the film’s 1913 celluloid. The narrative spirals outward from this metamorphosis: chain-gang torments, a magistrate’s daughter who smuggles hope in bread-crusts, a bolt through jarrah forest where ochre-painted hands pull the fugitive into a parallel moral universe, and a triumphant return across oceans carrying not merely nuggets but the weight of empire’s guilt. Melbourne’s nascent sound-stage becomes a liminal theatre where lantern-slide sunsets bleed into studio dusk, letting the audience taste both the salt of Shark Bay and the gas-lamp soot of Mayfair. Every frame asks the same razor-edged question: can stolen wealth ever buy ethical rebirth, or does it merely gild the shackles you thought you’d shattered?
Synopsis
The 1913 movie, 'Moondyne', one of the very first made using a sound stage in Melbourne, Australia, was adapted from the novel of the same name authored by John Boyle O'Reilly and published in 1880 by George Robertson in Sydney.. The novel was in turn was a reprint of the serialized, semi-autobiographical, story published in 'The Pilot' in Boston Mass. in 1878 entitled 'Moondyne Joe'. The plot centers around one Moondyne Joe, a character based on the real life Joseph Bolitho Jones who was a master escape artist from the jail at Fremantle, Western Australia when O'Reilly was himself held prisoner there. Moondyne was assisted in his final escape by local indigenous people with whom he then lived with for several years and who gave him the name Moondyne. During that time he was shown a gold deposit so huge that it made him extremely wealthy and he was able to return to England under a newly assumed identity as a Mr Wyville. Back in the land of his birth he builds a new life for himself and becomes well known for his humanitarian acts. The novel tackles many of the social justice issues of the time as they were discussed in Britain, Australia and America. The character Moondyne makes a brief appearance in the 2010 award winning screenplay, 'Cry of the Dreamer' which revolves around O'Reillys own arrest, imprisonment, transportation to Australia and his eventual escape on an American Whaler to the USA.
