
Stubborn Emily Delmar sneaks out of the house to go to a nightclub, and when she discovers that she has left her house keys at home, decides to spend the evening at the apartment of Richard Trotter, a young man who is pursuing her. Trotter comes home to find her there, and proceeds to take her to the house of her Aunt Geraldine.

Joseph F. Poland, H.M. Harwood
United States

A tide of brassy saxophones drags Emily Delmar from her gilded cage; what follows is less a plot than a prism—every facet refracts a different shade of panic, pleasure, and patriarchal panic. The film arrives like a love letter mis-delivered to the wrong century. One minute you’re inhaling the talcum of Edwardian par...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Dell Henderson

Dell Henderson
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" A tide of brassy saxophones drags Emily Delmar from her gilded cage; what follows is less a plot than a prism—every facet refracts a different shade of panic, pleasure, and patriarchal panic. The film arrives like a love letter mis-delivered to the wrong century. One minute you’re inhaling the talcum of Edwardian parlor rooms, the next you’re choking on gin-soaked ocean spray while Katherine Stewart’s Emily laughs—half helium, half razor—into the collar of John Harwood’s Richard. Stewart, unju..."


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