Summary
A kinetic exploration of municipal avarice, 'Politics' serves as a playground for the idiosyncratic physicalities of Slim Summerville and Bobby Dunn. The narrative arc traces the escalating hostilities between two aspirants for the mantle of police judge, a role that in this cinematic universe carries the weight of a minor deity. Eschewing the high-minded rhetoric of democratic idealism, the film plunges into a vaudevillian abyss where the electoral process is merely a scaffolding for elaborate chicanery. Summerville’s gangly, elongated frame provides a stark visual counterpoint to Dunn’s more compact, explosive energy, creating a comedic friction that propels the plot through a series of increasingly nefarious stratagems. From character assassination to literal physical sabotage, the protagonists embody the Machiavellian ethos that 'all is fair,' effectively dismantling the dignity of the judicial office before they even occupy it. The film functions as a biting, albeit slapstick, commentary on the performative nature of local governance during the silent era's twilight, where the ballot box is less a tool of civic duty and more a prize in a relentless game of one-upmanship.
Synopsis
Slim and Bobby are rival candidates for the office of police judge, and they use fair means and foul to beat each other on the theory that all is fair in love, war and politics.
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