Touring America as Harrington Smith, the Duke of Westborough visits the Brown Iron Works at Ivor City, and there he is entertained by Nathan Brown and his daughter, Ritzy, who poses as a blasé sophisticate. She confides in Harrington that she feels herself destined to become a duchess, and when the news reaches the local paper, Ritzy determines to make good her ambition and insists on going to Europe.

Is 'Ritzy' (1927) a film worth seeking out in the modern era? Short answer: yes, but with significant caveats that ground it firmly in its historical context. This silent-era roman...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Richard Rosson

Edgar Jones
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"Ritzy" unfurls as a charming, if inherently predictable, romantic comedy steeped in the social anxieties of its era. The narrative introduces us to Ritzy, the daughter of the affluent American industrialist Nathan Brown, whose life takes an intriguing turn with the arrival of Harrington Smith, a man secretly the Duke of Westborough. Ritzy, consumed by an almost theatrical ambition to ascend to aristocratic ranks, openly confides her ducal aspirations to Harrington, a revelation quickly sensationalized by local newspapers. This public declaration solidifies her resolve, propelling her towards Europe in determined pursuit of a titled husband.
Concerned by his daughter's single-minded infatuation with status, Nathan Brown enlists Harrington to subtly disabuse her of this folly. Harrington, in turn, concocts a plan involving his friend, Algy, who is to impersonate a nobleman. During the transatlantic journey, Ritzy, oblivious to the deception, relentlessly throws herself into Algy's path, all the while unwittingly stifling a burgeoning, genuine affection for Harrington. The climax unfolds in London, where Ritzy is finally confronted with the superficiality of her title-chasing, culminating in her embracing true love with Harrington – the very Duke she had initially overlooked.

Joan Standing
Percy Heath, George Marion Jr., Robert N. Lee, Elinor Glyn
United States

