A naive young man, raised poor in a small town, comes to New York City to make his fortune. Overwhelmed by the city's hustle and bustle, and entranced by the rich and sophisticated high-society types he comes into contact with, he eventually finds himself caught up in the city's seedy underworld.


William Nigh’s School Days—not to be confused with any scholastic romp—unfurls like a celluloid fever dream stitched from corn-silk and gunpowder. The film’s very title drips with sardonic venom: the only classroom here is a chromium-plated purgatory where naïveté is flayed alive and the report card is written in bul...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

William Nigh

William Nigh
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" William Nigh’s School Days—not to be confused with any scholastic romp—unfurls like a celluloid fever dream stitched from corn-silk and gunpowder. The film’s very title drips with sardonic venom: the only classroom here is a chromium-plated purgatory where naïveté is flayed alive and the report card is written in bullet casings. Frank Conlan’s protagonist, only ever called “the boy,” arrives via Grand Central with a cardboard valise and eyes the color of unfiltered sky. Nigh shoots his entran..."
Frank Conlan
Hoey Lawlor, William Nigh, Walter DeLeon
United States


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