Katherine Van Riper, a society girl with extravagant tastes, is left with only a few dollars by her spendthrift father and is unable to pay her creditors. She is refused help by her wealthy aunts, who insist that she marry Monte Buck, son of an oil king.


The first image in Sham is a gloved hand scattering rose petals onto Fifth Avenue—each petal a crimson IOU fluttering toward the gutter. That single shot, captured by cinematographer Arthur Edmund Carewe with a diopter lens smeared in Vaseline, distills the whole narrative: beauty engineered for display, destined to ...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Thomas N. Heffron

Thomas N. Heffron
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" The first image in Sham is a gloved hand scattering rose petals onto Fifth Avenue—each petal a crimson IOU fluttering toward the gutter. That single shot, captured by cinematographer Arthur Edmund Carewe with a diopter lens smeared in Vaseline, distills the whole narrative: beauty engineered for display, destined to be trampled. Paramount’s 1921 release, now resurrected in a 4K scan from the Library of Congress’s paper-print trove, arrives like a velvet telegram from a world that measured wort..."
Eunice Burnham
Douglas Z. Doty, Elmer Harris, Geraldine Bonner
United States

