Summary
In the sun‑splintered wilderness of early twentieth‑century America, Paul, an unassuming drifter, finds himself entangled in a ludicrous dispute at the Dead Shot Hunting Lodge. The lodge’s members, a motley assembly of seasoned hunters and swaggering braggarts, argue vehemently over the provenance of a solitary duck that has just been felled. Their bickering crescendos into a theatrical showdown, each claimant brandishing an elaborate tale of precision and prowess. Yet the absurdity of the quarrel is shattered when a hulking bear, drawn by the scent of blood and the clamor of egos, bursts onto the scene. The duck gun, once a symbol of masculine competence, proves woefully inadequate against the primal threat. Paul, thrust into the chaos, must navigate the volatile dynamics of the lodge, the frantic scramble for survival, and the stark realization that the veneer of civilized sport crumbles when confronted with raw nature. The narrative unfurls with a blend of slapstick timing, taut suspense, and a satirical critique of hyper‑masculine bravado, all underscored by Hal Roach’s deftly penned dialogue and the expressive performances of Jobyna Ralston, George Rowe, Eddie Baker, and James Parrott.
Synopsis
Paul becomes involved in an argument with members of the Dead Shot Hunting Lodge as to who shot the duck. But everybody knows that a duck gun is no good when you are chased by a bear, which happened to Paul.
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