Tao is a mixed-race man who, adorned with a dragon's head, is believed by the natives to be the Spirit of Evil, which allows him to commit all kinds of misdeeds. With the help of accomplices, he attempts to steal the plans for an oil field that an old monk has given to Soun, a young Laotian woman.

There is a specific, haunting resonance found in the celluloid artifacts of the 1920s, a period when the grammar of cinema was still being written in the ink of shadows and silver. Tao, the 1923 silent epic directed by Gaston Ravel and penned by the formidable duo of Arthur Bernède and Arnould Galopin, stands as a ga...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Gaston Ravel

Bruno Ziener
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" There is a specific, haunting resonance found in the celluloid artifacts of the 1920s, a period when the grammar of cinema was still being written in the ink of shadows and silver. Tao, the 1923 silent epic directed by Gaston Ravel and penned by the formidable duo of Arthur Bernède and Arnould Galopin, stands as a gargantuan example of the 'ciné-roman'—a film designed to be consumed like a serialized novel, dripping with intrigue, exoticism, and a palpable sense of atmospheric dread. Unlike th..."
Arthur Bernède, Arnould Galopin
France

