
After his mining partner Joe Pelton's (MacDonald) death, wealthy bachelor Richard Chester (Thomas Meighan) adopts Joe's five young children and takes them East by train. The children upset the calmness of the passengers of the Pullman car en route to New York City, and when they arrive at Richard's home they drive the servants almost crazy.


Imagine the roar of a locomotive as it cleaves the continent in half, its brass bell tolling like a death-knell for one man’s solitude. In The Bachelor Daddy, director John S. Robertson straps us to that iron beast, plunging from the frontier’s howling white blankness into the gas-lit labyrinth of Roaring-Twenties New...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Alfred E. Green

Alfred E. Green
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" Imagine the roar of a locomotive as it cleaves the continent in half, its brass bell tolling like a death-knell for one man’s solitude. In The Bachelor Daddy, director John S. Robertson straps us to that iron beast, plunging from the frontier’s howling white blankness into the gas-lit labyrinth of Roaring-Twenties New York. The story’s inciting collapse—a mine shaft that gobbles up Joe Pelton—feels almost mythic, a demiurgical hiccup that births a brand-new cosmos for Richard Chester, played wi..."

Barbara Maier
Edward Peple, Olga Printzlau
United States


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