A young man and his manservant, escaping from a backwoods family feud, are persuaded by a beautiful young heiress to help her rid her newly-gained Spanish castle of ghosts. The ghostly sightings, however, are the handiwork of the Duke d'Alba, who hopes to seize the castle's hidden treasure and use it to win the hand of the heiress.


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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Alfred E. Green

Maurice Campbell
Community
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" p, li { color: #ffffff; } a { color: #EAB308; text-decoration: underline; } a:hover { color: #C2410C; } blockquote { border-left: 4px solid #0E7490; padding-left: 1em; color: #c9c9c9; } h2, h3 { color: #C2410C; margin-top: 1.4em; margin-bottom: 0.6em; } hr { border: none; border-top: 1px solid #333; margin: 2.5em 0; } Prologue in Fog Few silents open with such viscous atmosphere: Kentucky swampland rendered through umber filters, the air itself sweating gin. Cinematographer William Ma..."

Wallace Reid
Jack Cunningham, Charles W. Goddard, Paul Dickey, Walter DeLeon
United States


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