Richard Armstrong, inventor of a carburetor that will make his car a sure winner in a road race, works on a skyscraper for Richard Steele and falls in love with his daughter, Doris. Though Steele prefers Trask, an underworld king, he agrees to discuss marriage if Armstrong wins the prize money.

The silent era often functioned as a fever dream of industrial optimism, and few films encapsulate this kinetic energy as vividly as The Cyclone Rider (1924). Directed with a frantic, pulsing rhythm by Tom Buckingham, the film serves as a celluloid testament to the era's obsession with velocity, verticality, and the se...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Tom Buckingham

Dallas M. Fitzgerald
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"The silent era often functioned as a fever dream of industrial optimism, and few films encapsulate this kinetic energy as vividly as The Cyclone Rider (1924). Directed with a frantic, pulsing rhythm by Tom Buckingham, the film serves as a celluloid testament to the era's obsession with velocity, verticality, and the self-made man. It is a work that bridges the gap between the perilous heights of skyscraper construction and the horizontal sprawl of the burgeoning American road race. In many ways,..."
Ben Deeley
Tom Buckingham, Lincoln J. Carter
United States


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