Van Bibber's girl nearly succumbs to the masculine form of a prizefighter aboard a ship returning to the United States. Van Bibber, while under the influence of a female hypnotist, knocks out the pugilist.


The year 1924 occupied a singular space in the evolution of American cinema, a period where the primitive energy of early slapstick began to coalesce with the sophisticated social satire that would define the late silent era. Robert P. Kerr’s The Fight, based on the literary foundations laid by Richard Harding Davis, s...

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behind_the_scenes


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

George Marshall

Edgar Jones
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"The year 1924 occupied a singular space in the evolution of American cinema, a period where the primitive energy of early slapstick began to coalesce with the sophisticated social satire that would define the late silent era. Robert P. Kerr’s The Fight, based on the literary foundations laid by Richard Harding Davis, stands as a fascinating, if somewhat overlooked, specimen of this transition. It is a film that weaponizes the fragility of the American dandy, placing him in direct, violent confro..."
Robert P. Kerr, Richard Harding Davis
United States

