
An old knight weds his dead friend's daughter and she gives herself to an Italian Don to bear an heir..


Imagine celluloid as a vineyard: every frame a trellis, every shadow a curling vine. In The Fruitful Vine those vines are barbed, dripping crimson even though the print is black-and-white. The film’s very title—biblical, fecund, deceptive—promises abundance yet delivers a harvest of thorns. Basil Rathbone, still year...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Maurice Elvey

Bruno Ziener
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" Imagine celluloid as a vineyard: every frame a trellis, every shadow a curling vine. In The Fruitful Vine those vines are barbed, dripping crimson even though the print is black-and-white. The film’s very title—biblical, fecund, deceptive—promises abundance yet delivers a harvest of thorns. Basil Rathbone, still years shy of twirling villainous moustaches for Universal, here embodies the autumnal knight Sir Gerard: cheekbones like escarpments, eyes hooded by regret, voiceless yet roaring throu..."
Paulette del Baye
Robert Hichens, Leslie Howard Gordon
United Kingdom


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