The Comte de Maigny, father of Odette and Christiane, forces the former to give up her first love for his own selfish reasons; Odette reconciles herself to a loveless life but takes care that a similar fate does not befall her sister. Christiane's love for Arnaud, a married artist, has an unfavorable effect on the courtship of their brother, Max, with a wealthy heiress; furious with his younger daughter, the count is taken to task by Odette for pawning the house furnishings to support his mistress.


Is The Lily a forgotten masterpiece of the silent era? Short answer: Yes, but only if you value psychological depth over the slapstick or spectacle often associated with the 1920s. This film is specifically for those who enjoy domestic dramas that peel back the layers of social respectability to reveal the rot underne...

behind_the_scenes

behind_the_scenes

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Victor Schertzinger

Victor Schertzinger
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"Is The Lily a forgotten masterpiece of the silent era? Short answer: Yes, but only if you value psychological depth over the slapstick or spectacle often associated with the 1920s. This film is specifically for those who enjoy domestic dramas that peel back the layers of social respectability to reveal the rot underneath. It is definitely not for viewers who require fast-paced action or the lighthearted antics found in Monkeying Around. The Verdict at a Glance 1) This film works because Belle ..."
Rosa Rudami
Gaston Leroux, Eve Unsell, Pierre Wolff, Helen Klumph, David Belasco
United States

