
Guido, an artist, is obsessed with the desire for the death of Clavering, a rich man who has entered into a forced marriage with Margaret, the girl whom Guido loves. The thought accompanies him in his work, his sleep and fills his every moment.
Agnes Fletcher Bain, Fred Rath
United States

There is a peculiar, almost primordial allure to early cinema, a raw, untamed energy that often delves into the human psyche with an intensity that belies its nascent technical limitations. The Mystic Hour, a 1917 silent film directed by Fred Rath and penned by Agnes Fletcher Bain and Rath himself, stands as a tes...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Richard Ridgely

Richard Ridgely
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" There is a peculiar, almost primordial allure to early cinema, a raw, untamed energy that often delves into the human psyche with an intensity that belies its nascent technical limitations. The Mystic Hour, a 1917 silent film directed by Fred Rath and penned by Agnes Fletcher Bain and Rath himself, stands as a testament to this era's audacious exploration of guilt, obsession, and the thin veil between thought and deed. It’s a compelling psychological drama that, even over a century later, m..."


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