Summary
In the frantic, celluloid landscape of 1922, 'The New Mama' emerges as a chaotic subversion of domestic expectations and economic desperation. The narrative follows a duo of hapless vagabonds—affectionately dubbed 'The Boys'—who stumble upon a classified advertisement seeking a married couple to oversee the operations of a bustling summer hotel. Faced with the biting chill of unemployment, the pair orchestrates a precarious masquerade: one assumes the mantle of the husband, while the other undergoes a transvestic transformation into the titular 'Mama.' What ensues is a kinetic exploration of gender performativity and slapstick logistics as they attempt to navigate the labyrinthine demands of hospitality management. The film pivots on the absurdity of their subterfuge, utilizing the summer hotel as a pressure cooker where their fabricated identities clash with the rigid social hierarchies of the era. This isn't merely a comedy of errors; it is a frantic, breathless commentary on the lengths to which the disenfranchised will go to secure a roof over their heads, all captured through the flickering, high-contrast lens of early silent cinema.
Synopsis
The Boys answer an ad for a man and wife to manage a summer hotel.
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