The Prince of Avenue A

In the labyrinthine corridors of early 20th-century political maneuvering, 'The Prince of Avenue A' unfurls a concise yet potent narrative of power, progeny, and calculated ambition. Barry O'Connor, scion of Patrick O'Connor—a man whose influence spans both the humble trade of plumbing and the formidable realm of civic politics—finds himself ensnared in a pivotal assignment. He is tasked with orchestrating the electoral triumph of William Tompkins, a candidate whose ascent is clearly less about public mandate and more about strategic placement within the intricate web of urban governance. The film, through this deceptively simple premise, delves into the subtle art of 'putting over' a political figure, hinting at the backroom deals, the persuasive rhetoric, and the quiet machinations that often underpin the facade of democratic choice. It's a glimpse into the genesis of political kingmaking, where familial legacy intertwines with the pragmatic necessities of maintaining an entrenched power base, all seen through the lens of a young man stepping into his inherited role within a system he is destined to either perpetuate or perhaps, subtly reshape.