Summary
A rhapsodic exploration of Earl Hurd’s 1920 animated phantasmagoria, The Sawmill Four maneuvers through the jagged topography of early industrial slapstick. Bobby Bumps, the quintessential mischievous protagonist, finds himself entangled in a mechanical labyrinth where the threat of the buzzsaw serves as both a literal peril and a rhythmic conductor for Hurd’s pioneering cel animation techniques. The narrative is less a linear progression and more a frantic, ink-washed ballet of proximity and escape, showcasing a nascent medium discovering its capacity for spatial manipulation and character-driven absurdity amidst the whirring blades of a timber mill. Hurd, functioning as both architect and executioner of this pen-and-ink universe, orchestrates a series of escalating gags that transform the hazardous environment into a playground of kinetic survivalism.
Synopsis
