Talbot Trent and Howard Cramm, office workers, both love Dorothy Marvin, secretary to the president of the firm; but Trent, a bashful, unassuming type, feels inferior because he does not own a roadster. Like Cramm, Trent aspires to be an out-of-town manager, but when the latter approaches the president, Amos Milliken, he is gruffly told that he is not energetic enough for the job.

Is The Timid Terror a lost classic of the silent era? Short answer: yes, but only if you appreciate the specific, frantic energy of a man on the verge of a nervous breakdown.This film is for anyone who has ever felt overlooked at work or felt the crushing weight of social status defined by the car they drive. It is abs...


Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Del Andrews

Richard Smith
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"Is The Timid Terror a lost classic of the silent era? Short answer: yes, but only if you appreciate the specific, frantic energy of a man on the verge of a nervous breakdown.This film is for anyone who has ever felt overlooked at work or felt the crushing weight of social status defined by the car they drive. It is absolutely not for those who demand logical character progression or a nuanced portrayal of gender roles in the workplace.The Verdict at a Glance1) This film works because it transfor..."

Rex Lease
Gerald C. Duffy, Walter A. Sinclair
United States


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