
Believing that Margaret Elkins would marry him if they were of the same financial status, Henry Ames misuses his power of attorney and ruins the young woman's father, Thomas Elkins. Because she believes Jim Hardwick responsible, Margaret meets him on the Pacific coast, and while she plans her revenge, he falls in love with her.

Leighton Osmun, Albert S. Le Vino
United States

The first time I saw The Treasure of the Sea it was a battered 16 mm print projected against a brick wall in a Brooklyn warehouse, the bulb so anemic that the sandstorm looked like a blizzard of cigarette ash. Yet even in that necrotic glow, the film pulsed—an abscessed romance set to the metronome of clashing shovel...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Frank Reicher

Frank Reicher
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" The first time I saw The Treasure of the Sea it was a battered 16 mm print projected against a brick wall in a Brooklyn warehouse, the bulb so anemic that the sandstorm looked like a blizzard of cigarette ash. Yet even in that necrotic glow, the film pulsed—an abscessed romance set to the metronome of clashing shovels. Leighton Osmun and Albert S. Le Vino’s screenplay is a ledger of Victorian anxieties: capital as aphrodisiac, class as destiny, womanhood as both currency and curse. Henry Ames..."


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