
Young Dudley Kent falls in love with Grace Vaughan and leaves his wife for her. The two are very happy until Kent learns that his young son has died.
Marion Short, Wallace Clifton
United States

The first time we see Grace Vaughan she is laughing at something off-screen—head thrown back, throat arched like a struck match—and that laugh becomes the film’s aural phantom, echoing long after the intertitles fade. In 1916, when most melodramas still genuflected to Victorian moral algebra, The Waiting Soul detonat...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

Burton L. King

Burton L. King
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" The first time we see Grace Vaughan she is laughing at something off-screen—head thrown back, throat arched like a struck match—and that laugh becomes the film’s aural phantom, echoing long after the intertitles fade. In 1916, when most melodramas still genuflected to Victorian moral algebra, The Waiting Soul detonates the equation. Director Frank Reicher and scenarists Marion Short and Wallace Clifton refuse to cast their heroine as mere hothouse flower or harlot; instead they fracture her ac..."


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