
Elliot Worthington falls in love with Myra, the maid in his sister's household. Myra is dismissed; Elliot finds her, proposes marriage, and returns home with his new bride.


A Portrait of Forbidden Affection The opening frames of The Wanters unfurl like a chiaroscuro painting, where light and shadow delineate not only physical spaces but also the invisible barriers erected by wealth. Richard Headrill’s Elliot glides through his sister’s manor with a languid confidence, his gaze linger...

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Comparing the cinematic DNA and archive impact of two defining moments in cult history.

John M. Stahl

Edgar Jones
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" A Portrait of Forbidden Affection The opening frames of The Wanters unfurl like a chiaroscuro painting, where light and shadow delineate not only physical spaces but also the invisible barriers erected by wealth. Richard Headrill’s Elliot glides through his sister’s manor with a languid confidence, his gaze lingering on Myra (Norma Shearer), whose modest attire and gentle demeanor contrast starkly against the marble corridors. The film’s mise‑mise, saturated with muted tones, underscores th..."
J.G. Hawks, Paul Bern, Leila Burton Wells
United States

