The story concerns a young girl who spends her entire life in trying to obtain money to pay off the mortgage on her farm. But the day comes when she can no longer meet the claims, and Jarvis, the man who holds the mortgage, gives her the alternative of selling herself to him in return for the land.
Florence Morse Kingsley, Edward J. Montagne
United States
The celluloid ghost of To the Highest Bidder drifts across the modern retina like a half-remembered folktale soaked in sepia and sweat. Watch it once and you taste grit; twice and the aftertaste is something like molasses laced with arsenic—sweet survival laced with systemic poison. Director Edward J. Montagne, workin...
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Comparing the cinematic DNA and archive impact of two defining moments in cult history.
Tom Terriss
Tom Terriss
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"The celluloid ghost of To the Highest Bidder drifts across the modern retina like a half-remembered folktale soaked in sepia and sweat. Watch it once and you taste grit; twice and the aftertaste is something like molasses laced with arsenic—sweet survival laced with systemic poison. Director Edward J. Montagne, working from a pot-boiler by social-gospeler Florence Morse Kingsley, understood that the true villain of 1918 rural America was not a mustache-twirling banker but the ledger itself, its..."
