Weltbrand

In the decadent twilight of industrialist hegemony, Christian Wahnschaffe emerges as the quintessential byproduct of unearned opulence—a man whose existence is defined by the hollow echoes of his father’s steel empire. This equilibrium of apathy is violently disrupted when he encounters Iwan Becker, a charismatic firebrand and architect of the Russian Nihilist underground. Becker does not merely offer a political alternative; he presents a mirror to Christian’s spiritual vacuum, exposing the grotesque disparity between the gilded salons of the elite and the subterranean misery of the masses. As Christian’s fascination with Becker’s ascetic radicalism deepens, he undergoes a psychological metamorphosis, shedding the trappings of his class to embrace a crusade for the disenfranchised. The narrative unfolds as a somber pilgrimage through the wreckage of societal foundations, where the 'World-Fire' of the title represents both the destructive purge of revolution and the agonizing refinement of a single man’s soul.