6/10
Senior Film Conservator

A definitive 6/10 rating for a film that redefined the boundaries of cult cinema. Broadway Bad remains a cornerstone of transgressive art.
If you have a thing for 1930s melodramas where people shout in courtrooms, you’ll probably find something to like here. It’s short, punchy, and doesn't waste much time getting to the heartbreak. If you hate old movies that feel like stage plays, stay far away.
Joan Blondell is honestly the only reason this works. She has this way of looking exhausted that feels totally real, not like she’s just waiting for her cue. She’s fighting for her son, and you can tell she’s just tired of the whole rigged system.
Ginger Rogers shows up, but don't expect her to dance. She’s mostly there to be the supportive friend, which feels a bit like a waste of her energy, but she does it with enough charm that you don't mind. Their scenes together have this nice, natural rhythm that the rest of the movie lacks.
The courtroom scenes are a bit much, honestly. Everyone is yelling over each other, and the judge seems to have the attention span of a goldfish. There’s a moment where a lawyer says something so absurd that I actually laughed out loud in my living room. I don't think it was meant to be funny.
It’s funny how different this feels from something like Life Begins, which is way more intense about the whole hospital setting. Here, the drama is just domestic, which almost feels meaner. It’s like the movie wants you to feel bad for her, and yeah, it works.
The pacing is a bit weird. One minute we’re at the theater, the next we’re in a judge’s office, and everything happens *so fast*. It’s almost like they were afraid the audience would get bored if someone wasn't crying or arguing every five minutes.
It’s not a masterpiece, but it’s a solid chunk of history. It feels like a quick snapshot of a time when the rules for showgirls were just completely stacked against them. I’ve seen worse, and I’ve certainly seen more boring stuff.
Honestly, the ending feels a little bit rushed. Like the writers just decided, "Okay, that’s enough misery, let’s wrap this up before dinner." It leaves you hanging a bit, which is either brilliant or just lazy. I can't decide.

IMDb —
1917
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