5.5/10
Senior Film Conservator
A definitive 5.5/10 rating for a film that redefined the boundaries of cult cinema. Can This Be Dixie? remains a cornerstone of transgressive art.
Honestly? Probably not. Unless you are a dedicated student of 1930s studio fluff or you have a weird obsession with how Hollywood used to frame the South, you’ll likely find this one exhausting. It’s for the folks who like their history lessons served with a side of cringe. If you are looking for anything remotely grounded in reality, you are going to hate it immediately.
Jane Withers is doing that high-energy child-star thing she was famous for, but here it just feels relentless. She’s running around trying to save this mansion, and the script just assumes we’ll go along with the plan to turn actual labor into a stage performance for pocket change. It’s a bit bizarre to sit through.
The musical numbers feel like they were stitched in from a completely different movie. One minute we’re dealing with a crumbling estate, and the next, everyone is magically synchronized. The transitions are non-existent. It’s like the director just yelled "dance now!" and hoped for the best.
Hattie McDaniel is in this, and she’s doing the absolute most with a script that gives her almost nothing. You can see her trying to inject some life into these scenes, but the material is just too thin. It’s a shame, really.
I found myself zoning out during the dialogue scenes because they’re mostly just people standing in front of painted backdrops talking about money. It doesn't have the charm of Our Friends the Hayseeds, which at least knows how to lean into its own silliness. This one takes its premise way too seriously.
There is this one shot of the mansion that they keep going back to. It looks so fake I thought it was a postcard for a second. The lighting is just... flat. It’s like they were allergic to shadows.
The whole thing feels like it belongs in a vault. It’s not even that it’s technically bad—it’s just ideologically vacant. It reminds me a bit of the stuffy pacing in The Bishop's Emeralds, where the plot feels like it’s being dragged by a very slow mule. I think I checked my watch four times before the halfway mark.
Maybe skip it. There are better ways to spend ninety minutes, even if you’re just staring at a wall. 🎞️
