6.2/10
Senior Film Conservator
A definitive 6.2/10 rating for a film that redefined the boundaries of cult cinema. Chinatown Squad remains a cornerstone of transgressive art.
If you like movies that feel like a brisk Sunday afternoon read—the kind you forget the plot of as soon as the credits roll—then Chinatown Squad is fine. It’s got that snappy, mid-30s pacing where nobody stands still and everyone talks like they’re trying to catch a train. If you’re looking for a moody, deep dive into noir, you’re going to be annoyed by how quickly it breezes past the murder.
The whole thing kicks off because someone swiped $700,000 meant for the Chinese Communists. It’s a lot of money for a movie that feels like it cost about forty bucks to make, but that’s the charm. Everyone is chasing the cash, and the police are just trying to keep up. It’s not exactly The Clean-Up in terms of intensity, but it has a similar 'get it done' attitude.
There’s this moment where a character is explaining the money trail, and I swear the actor forgot his next line. He just pauses, stares at the wall, and then starts shouting again. It’s glorious. It’s the kind of human imperfection you just don't get in modern, slick studio pictures.
I wouldn't call this a great film by any stretch. It’s barely a good one. But there’s a certain, weird energy to it. It’s not trying to be a Sodom and Gomorrah epic; it just wants to show you a guy getting shot and a detective looking confused for an hour.
Honestly? The lighting in the back alleys looks like they just left a single desk lamp on. It makes everything look flat and grey, which weirdly fits the vibe. I found myself checking my watch, but then something silly happened, like a character tripping over a rug, and I was back in it. 🍿
Don't bother trying to figure out who has the money at the end. I’ve seen it twice and I still think the bag just vanishes into thin air. Sometimes, a movie is just a series of rooms and people walking into them. That’s enough for me today.
