6.3/10
Senior Film Conservator

A definitive 6.3/10 rating for a film that redefined the boundaries of cult cinema. Das Kabinett des Dr. Larifari remains a cornerstone of transgressive art.
If you’re looking for a movie that feels like it’s being held together by tape and a lot of luck, you found it.
Das Kabinett des Dr. Larifari is basically a must-watch if you like movies about how hard it is to actually make a movie.
People who want a serious, heavy story will probably hate this within the first five minutes.
It’s 1930 and sound in movies was still this new, scary thing that everyone was trying to figure out.
Max, Paul, and Carl are three friends who have zero money but a lot of bad ideas, which is the best way to start a comedy.
They decide to start a film company and the whole thing is just pure chaos from the start.
The movie is basically a big parody of the movie industry itself, and even the title pokes fun at that famous horror movie Caligari.
But here, "Larifari" just means nonsense, and that is exactly what you get.
Max Hansen and Paul Morgan wrote this themselves, and you can tell they were just having a blast making fun of their own jobs.
There is this one scene where they are messing with the microphones and the sound equipment that is actually really funny.
You can tell that real film crews in 1930 were probably having those exact same problems.
The audio is a bit crunchy and loud, but it kind of fits the vibe of a movie about people who don't know what they're doing.
It reminds me a little bit of the energy in New York Nights, but way more silly and less dramatic.
The way Max Hansen looks at the camera sometimes is just... well, it's a lot.
He has this wild energy like he might just jump out of the screen and start shouting at you.
Sometimes the camera stays on a reaction shot for way too long, and it starts to feel a bit awkward.
Like, the joke ended ten seconds ago but we are still looking at the guy's face.
But that’s part of the charm of these early talkies; they didn't really know when to cut yet.
The "family picture" they try to make toward the end is genuinely bizarre.
I’m not even sure if there was a script for that part or if they just told everyone to run around and be loud.
It’s definitely not a polished masterpiece, and it feels very "of its time" in a way that might annoy some people.
But if you like seeing the "behind the scenes" stuff of film history, it's pretty great.
It’s got that same lighthearted, slightly confusing spirit you see in Cut Yourself a Piece of Cake.
The pacing is totally uneven and some parts drag on forever while other parts fly by.
I think I liked it more because it felt so unprofessional and human.
It doesn't feel like a product made by a big studio machine, it feels like a disaster caught on camera.
You’ll probably feel a bit tired by the end because it’s so loud and fast, but it’s worth it for the history lesson alone.
Just don't expect it to make much sense by the time the credits roll.

IMDb —
1921
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