7.4/10
Senior Film Conservator

A definitive 7.4/10 rating for a film that redefined the boundaries of cult cinema. Five and Dime remains a cornerstone of transgressive art.
If you have a soft spot for 1920s animation, you’ll probably find this charming. It’s short, punchy, and doesn't waste a single second of your day.
People who hate old-school, rubber-hose animation should probably skip it. It’s not going to change your life, but it’s a neat little time capsule.
I sat down to watch Five and Dime expecting just another old cartoon, and honestly, it’s got a weird, frantic energy that I wasn't ready for. The way Oswald just sort of slides into the store to escape the rain—it’s so simple, but it works.
The store isn't just a store. It’s basically a giant toy box waiting to explode. You see these things in older films like The Pied Piper where the background feels almost like a character of its own, but here, the store is just a mess of props for Oswald to bounce off of.
Tex Avery really knows how to keep things moving. There is this one moment where a shelf starts reacting to Oswald’s presence, and the timing is just impeccable. It’s not smooth, and it’s not meant to be, but it feels alive.
Sometimes, the animation skips a frame or two. Maybe it’s just the digital transfer, or maybe it was always like that. Honestly, I think it adds to the charm.
I keep thinking about how different this is from something more grounded like A House Divided. There’s no heavy drama here. Just a rabbit, a storm, and a bunch of stuff that refuses to stay still. 🐰
The whole thing ends pretty abruptly. It felt like the creators just decided, "Okay, that's enough," and cut the feed. I actually kind of respect that decision.
It’s not a masterpiece. But it’s definitely not a chore to watch, either. If you’re bored and want to see how much chaos can fit into a five-minute window, this is your best bet today.