8.1/10
Archivist John
Senior Editor

A definitive 8.1/10 rating for a film that redefined the boundaries of cult cinema. Growing Pains remains a cornerstone of transgressive art.
If you've got a soft spot for the old Rascals shorts, or just need a quick dose of vintage silliness, then Growing Pains is absolutely worth a few minutes today. It’s perfect for families looking for something genuinely innocent, or anyone who just wants to see some classic kid logic play out. Folks who need flashy effects or deep character arcs, though, might find it a bit too simple.
The whole thing kicks off with Mary Ann, who’s got this big crush on Wheezer. She gets this idea, see, that if she just loads him up with cod liver oil, he’ll grow into a giant. Her mom goes along with it, which is charmingly naive in that old-timey way. 🥛
Poor Wheezer. He’s not exactly thrilled about the daily dose of fish oil. There’s a shot of him trying to choke it down, and it's just *classic* kid misery. You really feel for the little guy.
Then, a circus giant, played by John Aasen, shows up needing a place to stay. This is where things get really fun. He overhears Mary Ann’s grand plan and, well, a giant’s gotta eat, right? So he decides to have a little fun with it.
The switcheroo itself is pretty clever for a short. The giant pretends to be Wheezer, and the kids are just *floored*. Their reactions are what make this short. Joe Cobb’s wide-eyed disbelief, and Farina’s confused little face — it’s all gold. You can almost see their brains trying to process how their tiny friend suddenly became this massive person. 😂
There's a great bit where the "giant Wheezer" is trying to fit into the kid-sized world. He's sitting at their tiny table, trying to look normal. It’s very physical comedy, and it totally lands. The pacing here is just right, letting the absurdity sink in.
It’s not trying to be anything more than a fun little romp. No big messages or deep dives into childhood psychology. Just kids, a silly idea, and a giant who plays along. The whole setup feels like something a kid would dream up, and that’s its biggest strength.
Pal, the dog, even gets a few good moments, as always. He’s just part of the gang, observing the chaos with that familiar doggy patience. You really notice how much they integrated him into the scenes, not just as a prop.
The ending, when the real Wheezer shows up again, is handled quickly. Almost like a "well, that happened" moment. It’s not a grand reveal, more like a gentle return to normalcy after a wonderfully strange afternoon. Reminds you how simple and sweet these shorts often were. No need for complicated wrap-ups.
If you’re looking for a quick, **genuinely charming** peek into classic Hollywood innocence, give this one a go. It’s got that special something that makes you smile without trying too hard. You won't regret it. 💖

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