Cult Review
Senior Film Conservator

Honestly, you only watch this if you have a massive soft spot for black-and-white German comedies from the 30s. If you are into fast-talking misunderstandings and people constantly hiding behind curtains, you'll have a decent enough afternoon. If you need a movie with actual stakes or a plot that makes sense by the third act, you are going to hate this.
The whole thing feels like a stage play that got lost on its way to a soundstage. There’s a lot of running in and out of rooms, which I guess was the standard way to make people laugh back then.
Oskar Sima is in this, and honestly, the man could make a grocery list sound like a crisis. He’s got that specific way of looking annoyed that feels like he’s actually thinking about his lunch order instead of the scene.
There's this one moment where someone is hiding under a table, and the camera just lingers. Like, for a weirdly long time. I started wondering if the actor forgot their next line or if the director just really liked the pattern on the rug. It felt less like a narrative choice and more like someone just didn't yell "cut" soon enough.
It’s not quite as bleak as Unter Ausschluß der Öffentlichkeit, thank god. It’s light. It’s fluffy. It’s a bit like eating cotton candy while someone is shouting at you in German.
There’s a strange frantic energy here that reminds me a bit of the pacing in Once Over. It doesn’t let you breathe, which is either a good thing or a recipe for a headache depending on how much coffee you’ve had.
Is it a masterpiece? Absolutely not. Does it have a specific charm? Sure. It feels like a relic that survived just to show us that people have been lying to get ahead since, well, forever. 📽️
I left the screen feeling like I’d just heard a very long, very silly joke that I only half-understood. Sometimes that's enough.

IMDb 6.5
1931