7.2/10
Senior Film Conservator

A definitive 7.2/10 rating for a film that redefined the boundaries of cult cinema. People on Sunday remains a cornerstone of transgressive art.
You should watch this today if you have ever felt like your weekend was slipping through your fingers. It is perfect for anyone who likes people-watching at a park or a cafe.
If you need a big plot with heroes and villains, you are going to hate this movie. It is basically a 1930s vlog about a double date that goes nowhere special. 🧺
It starts with these tiny glimpses of Berlin. Just people moving around, trains, and busy streets.
The main characters are not even real actors. They were just regular people—a taxi driver, a records shop girl, a film extra.
You can tell they aren't pros because they look at the camera sometimes like they aren't sure what to do with their hands. It makes it feel real.
Wolfgang, the taxi driver, is kind of a jerk. He has this smug look on his face the whole time like he knows he's the best-looking guy in the room.
He meets Christl, who is a film extra, and they decide to go to the lake. They bring their friends along, and that is pretty much the whole setup.
The train ride to Nikolassee looks so crowded. Everyone in Berlin had the same idea because Sunday was the only day off back then.
There is a scene where they are walking through the woods and the light hits the trees in a way that feels very warm. You can almost smell the dirt and the pine needles.
It is way more relaxed than something like Germania. It doesn't feel like it is trying to prove a point.
Once they get to the water, the movie just... stays there. It lingers on things that don't matter for the plot.
Like a guy trying to fix a portable record player. It keeps stopping, and he has to crank the handle to get the music going again. 🎶
I forgot how much work it used to be just to listen to one song. It makes me feel lazy for just clicking a button on my phone.
There is this one girl, Annie, who spends almost the whole movie sleeping. She just finds a spot in the grass and checks out.
Honestly? Same. I relate to her more than anyone else in this film.
The way they eat is funny too. They don't have fancy movie food; they just have bread and some stuff wrapped in paper.
They eat with their hands and get crumbs everywhere. It’s messy and human.
One of the guys tries to flirt by splashing water, and it is just as awkward as it would be today. Some things never change, I guess.
There’s a street photographer who shows up and takes pictures of everyone. The movie stops to show us the still photos of the people in the park.
They are all smiling or looking serious. It is a bit haunting because you know what happened to Germany a few years later.
But in this moment, they are just happy to have a day off. It’s a very heavy feeling hidden inside a very light movie.
If you’ve seen The Isle of the Dead, you know how movies can feel dark and scary. This is the opposite.
It feels like a Sunday afternoon when you're half-asleep and the sun is too bright.
The camerawork is surprisingly loose. It doesn't feel stiff like a lot of old movies from that time.
Billy Wilder helped write the script, and you can see his wit in the little interactions. It’s not flashy, just smart.
There is a bit of drama when Wolfgang starts flirting with the other girl instead of the one he brought. It’s a bit cringe, but in a realistic way.
Nobody shouts or has a big breakdown. They just get annoyed and move on.
I think I liked the parts where nothing happened the most. Just the shots of the empty park after they leave.
The trash left behind on the grass. The shadows getting longer. 🌆
It is much more interesting to look at than Chûshingura if you aren't in the mood for an epic.
The ending is the only part that actually feels like a "movie" moment. The transition back to Monday.
The fast cuts of the machines starting up again. The people back in their uniforms.
It makes you feel that Monday morning dread in your stomach. It is a universal feeling, even 90 years later.
I noticed one guy in the background of the street scene who looks exactly like my uncle. It was distracting for like five minutes.
The film is short, but it feels like you spent the whole day with them. You feel a bit tired by the end, in a good way.
Don't expect a masterpiece that will change your life. It's just a really good observation of how we waste our time.
And honestly, wasting time is one of the best things about being alive. 🍦
One reaction shot of the shop girl lingers for so long it almost becomes a different movie. She looks so bored, then she smiles, then she looks sad.
It is one of those things you only catch if you aren't looking at your phone. It's worth putting the phone away for this one.
Anyway, it’s a nice little film. Probably better than Two Brothers if you want something more grounded.
Go watch it if you want to feel like you’re on vacation in 1930. Just don't forget to come back.

IMDb —
1918
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