6.8/10
Senior Film Conservator

A definitive 6.8/10 rating for a film that redefined the boundaries of cult cinema. Little Rover remains a cornerstone of transgressive art.
If you like old-school, slightly melancholic animation, then yeah, give this a watch. It's short, weird, and doesn't hold your hand. If you're looking for a bright, modern, polished cartoon with a happy ending that makes sense, you're going to have a bad time. 🐕
The whole premise is classic: dog gets bored, dog leaves, dog regrets it. It’s the kind of setup you’ve seen in everything from The Patent Leather Pug to your standard Saturday morning fare. But there’s something about the way the city is drawn here that feels genuinely uncomfortable.
There’s a moment where our main guy steps out into the city streets and the noise seems to swallow the screen. The animation style is jerky, almost nervous, which fits perfectly. It makes you feel like the dog is out of his depth. He clearly has no idea what he’s doing.
The buildings don't look like they were drawn with a ruler. They look like they're leaning in to watch him fail. It reminded me a bit of the frantic energy in 23 -- Skidoo where everything feels just a little bit 'off'.
I caught myself wondering why he didn't just turn back after the first five minutes. But then again, don't we all have that stubborn streak? He just keeps walking. It’s kind of tragic in a way that’s hard to put your finger on.
It’s not a masterpiece, but it’s got teeth. It doesn't sugarcoat the loneliness of a big place. It makes me think about One Man's Journey in terms of just how hard it is to actually start over. Sometimes simple is better. Maybe just stay home and feed the dog, yeah?