6.2/10
Senior Film Conservator
A definitive 6.2/10 rating for a film that redefined the boundaries of cult cinema. Nakhvamdis remains a cornerstone of transgressive art.
Look, if you want a popcorn flick, you’re going to be bored to tears. But if you’re the type who likes to sit in a dark room and just soak in the atmosphere of a place you’ve never been, Nakhvamdis hits different. It’s for the folks who don’t mind subtitles and black-and-white grain that looks like it’s been through a few wars.
It’s definitely not for the impatient crowd. If you need a plot twist every five minutes, you’ll probably hate it. Just saying.
The pacing is… well, it’s deliberate. There’s a scene about halfway through where someone is just pouring tea, and it lasts just long enough to make you notice the steam, the cracks in the cup, and the way the light hits the table. It feels like real life, but stretched out until you’re forced to actually look at it. It’s kind of hypnotic, honestly.
Mikheil Gelovani is in this, and he just has this face that tells a whole story without him saying a word. You get the sense he’s carrying half the weight of the movie on his shoulders. 🎭
There’s this weirdly specific shot of a door hinge squeaking that I keep thinking about. It sounds so tiny and insignificant, but in the silence of the room, it sounds like a gunshot. Why did the director keep that in? Maybe because it makes the whole house feel alive.
It’s not as polished as Lili or some of the other stuff from that era, but it has this raw, unwashed quality that I kind of dig. It feels like finding an old, dusty photograph in an attic. You don’t know exactly who these people are, but you feel like you owe them your attention for a bit.
Is it perfect? No way. Some of the transitions feel like they were cut with a pair of kitchen scissors. But that doesn’t really matter. It’s a movie that feels like it’s breathing on its own terms.
It reminded me a bit of the heavy, lingering mood you get in The World and the Flesh, where the environment is almost more of a character than the people. Definitely worth a watch if you’re feeling contemplative. Just make sure you turn your phone off. The silence is the best part. ☕️
