5.4/10
Senior Film Conservator

A definitive 5.4/10 rating for a film that redefined the boundaries of cult cinema. Race Riot remains a cornerstone of transgressive art.
If you see a movie from 1929 called Race Riot, your brain probably goes to a pretty dark place. But honestly? It is just Oswald the Lucky Rabbit trying to get a very lazy horse ready for a derby.
It is definitely worth five minutes of your life if you like rubber-hose animation where characters have no bones. If you hate scratchy audio and things that don't make sense, you'll probably want to skip this one.
The horse in this thing is a total disaster. Its legs are so thin they look like they’re made of literal string.
Oswald is being his usual manic self, pushing this poor animal to its limit. There is a specific bit where he is trying to get the horse to move and the horse just... stretches. Like, its front half moves forward but the back half stays put.
It’s that weird 1920s logic where a body is just a shape you can pull on. It reminds me a lot of the visual gags in The Little Boy Scout, where things just happen because they look funny, not because they make sense.
I noticed the crowd in the background is just a bunch of circles bobbing up and down. It’s clearly a loop to save money, but it gives the whole thing this hypnotic, slightly creepy vibe.
Walter Lantz was just taking over the character here, and you can tell he’s still figuring out what to do with the rabbit. The pacing is a bit frantic, almost like the movie is nervous it's going to lose your attention.
There is a goat in one scene that just stares. It doesn't do anything for the plot. It just stares at the camera for a second too long.
The music is that classic tinny piano stuff that sounds like it’s being played in the room next door. It’s charming in a way, but also makes everything feel a bit distant.
I love how Oswald uses a literal pitchfork to motivate the horse at one point. You wouldn't see that in a modern cartoon, that's for sure.
It isn't a masterpiece like The General or anything with a real budget. It’s just a cheap, fast short made for people who wanted to see a rabbit fall over.
One gag with a bucket of water feels like it goes on for about 10 seconds too long. You can almost feel the animators trying to fill the runtime.
But the ending is quick. It just sort of stops once the race logic is done.
I think I liked the training scenes more than the actual race part. The training feels more personal, just a rabbit and his weird, stretchy horse friend.
Anyway, it’s a weird artifact. It's mostly interesting to see how animation looked before it got all polished and perfect. 🐎
Sometimes it’s nice to watch something that feels like it was drawn on a napkin by someone who hadn't slept in three days.

IMDb —
1918
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