6.7/10
Senior Film Conservator

A definitive 6.7/10 rating for a film that redefined the boundaries of cult cinema. Sky Bride remains a cornerstone of transgressive art.
If you love dusty old biplanes and guys with names like "Speed" who wear leather jackets and look incredibly sad, Sky Bride is absolutely worth a watch today. It is a quick, 78-minute slice of 1932 melodrama that feels like a time capsule. 🛩️
But if you cannot stand crackly audio or plots where people solve their deep psychological trauma by just "gitting 'er done," you will probably hate this. It is very much of its time, for better and worse.
The story is pretty simple. Richard Arlen plays Speed Condon, a hotshot stunt pilot who gets too cocky and ends up causing a horrible accident that kills his friend.
The guilt eats him up, so he quits flying and takes a low-profile job at a tiny airport, hiding from his past. Naturally, his old manager Alec (played by Jack Oakie) tracks him down to get him back in the air.
I love Jack Oakie in this. He has this fast-talking, slightly annoying energy that keeps the movie from getting too depressing. He basically carries the first half of the film on his back.
Some of the dialogue is incredibly clunky. There is a scene where a character explains the entire plot of his guilt to a girl he just met, and it feels like he is reading a grocery list.
But the actual flying footage is amazing. There is no CGI here, obviously, so when you see these biplanes doing loops and flying incredibly close to the ground, it actually looks dangerous because it was.
It reminded me a bit of the pacing in Alias the Lone Wolf, where the movie takes a while to get going but really shines once the action kicks in. Though here, the action is in the clouds rather than a dark room.
There is also this incredibly weird subplot involving a little kid and a runaway plane. In some of the wide shots, you can clearly tell they just threw a stuffed dummy into the cockpit. It made me laugh out loud. 😂
Frances Dee is also in this as the love interest. She does not have a ton to do besides look worriedly at the sky, but she has such a warm screen presence that you root for her anyway.
The movie does not try to be some grand masterpiece about the human condition. It just wants to show you some cool plane stunts and tell a simple story about a guy finding his nerve again.
It is imperfect, a little dusty, but incredibly charming if you are in the right mood.

IMDb 5.8
1916
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