6.7/10
Senior Film Conservator

A definitive 6.7/10 rating for a film that redefined the boundaries of cult cinema. Skyline remains a cornerstone of transgressive art.
So, Skyline, a 1931 drama. Is it worth tracking down today? Probably not for everyone. If you're really into classic Hollywood, especially the pre-Code stuff where things felt a little looser, you might find some curious bits here. But if you're looking for fast-paced thrills or deep emotional resonance by modern standards, you'll likely be pretty bored. It's for the film history buffs, the curious ones who don't mind a slow burn that mostly just… burns.
The whole thing feels like it's trying to tackle a big, sprawling New York story, you know? Like the title implies. East Side, West Side, all those lives crossing paths. Sometimes it clicks, sometimes it just… wanders. 🚶♀️
Thomas Meighan, bless his heart, plays the lead with this kind of weary sincerity. He’s got that old-school silent film presence, but here, with sound, it sometimes feels a bit like he’s still thinking in title cards. There’s a scene early on where he’s trying to convince someone about a business deal, and his gestures are just a touch too grand for the spoken dialogue. It's almost charming.
Then you get to Myrna Loy, even in this early role. She just lights up the screen, doesn't she? ✨ There's this subtle smirk she gives when another character is being overly dramatic. You can tell she already had *that* spark, that knowing quality that would make her such a star. She doesn't have a ton of screen time, but every moment she's there, the movie gets a little jolt of something real.
Maureen O'Sullivan also pops up, playing a character who feels a bit like a stock ingenue. She's fine, very sweet, but the script doesn't give her a whole lot to do beyond reacting to the men around her. It’s a shame, really.
The pacing here is something else. There are moments that stretch on for ages. One conversation about a family secret, it just keeps going. You can almost feel the movie trying to convince you this moment matters more than it actually does. 🕰️ It doesn't quite earn all that dramatic weight.
And the dialogue, sometimes it's really snappy, like when two characters are trading insults. Other times, it gets a bit clunky, almost theatrical in a way that pulls you out of it. Like someone wrote it for a stage play, then just put it in front of a camera. The way people talk about money, for example, feels very 1931, but also… a bit on the nose.
There's this odd little detail about the sets. The 'wealthy' apartments, they're big and grand, sure, but they also have this slightly artificial look to them. Like they were built yesterday for the movie, which, of course, they were. But it’s distracting. You don't quite get lost in the illusion. The 'poor' sets, though, feel a bit more lived-in, somehow.
The whole conflict about class, it's pretty central. You see the rich folks looking down, the striving folks trying to climb up. It’s all very clear. Sometimes too clear, if that makes sense? There’s not much nuance to it. The villains are pretty mustache-twirly, you know? 👨🏻
One reaction shot lingers so long it becomes funny. It’s on Hardie Albright, after he hears some bad news. He just stands there, jaw slightly agape, for a good five seconds. You start to wonder if the camera operator fell asleep. 😂
It’s not a film that grips you, not really. But it has these little pockets of interest. Myrna Loy, definitely. And the way it accidentally shows you what movies were still figuring out back then. The sound, the movement, how to make it all feel natural. It’s a historical artifact, if nothing else.
Ultimately, Skyline is a curiosity. It’s not going to be anyone’s favorite movie, probably. But for those who appreciate seeing the early days of sound film, with all its awkwardness and flashes of brilliance, there’s something here. Just don’t expect to be blown away. Expect to observe. 🤔

IMDb 4.9
1927
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