4.4/10
Archivist John
Senior Editor

A definitive 4.4/10 rating for a film that redefined the boundaries of cult cinema. Three Friends remains a cornerstone of transgressive art.
If you're looking for something to watch tonight and you don't mind a movie that looks like it was filmed through a layer of actual dirt, Three Friends is worth your time.
It’s perfect for people who like those old folk tales where the ghosts aren't just scary monsters, but actually just *very annoyed* dead people.
If you need high-speed chases or the glossy finish of something like Avatar, you should probably just skip this one right now.
The story is pretty simple, maybe even too simple for some.
We’ve got these three beggars—played by Cheongun Chu, Won-yong Lee, and Wu Lee—who basically have the worst luck in the world.
They live on the scraps of a village that clearly doesn't want them there.
Then they die.
It’s not a big dramatic death scene with swelling music or anything; they just sort of cease to be.
But then the movie gets *interesting* because they don't stay gone.
They come back as ghosts to get some payback on the people who were mean to them when they were alive.
The way they look as ghosts is actually kind of creepy, mostly because the makeup is so basic it feels more human.
There’s this one shot where one of them is just standing by a doorway, and the lighting is so dim you can barely see his eyes.
It’s way more effective than any modern CGI jump scare I’ve seen lately.
I noticed that the village itself feels very claustrophobic.
Every alleyway feels like a trap, which makes sense since these guys are now haunting every corner of it.
The pacing is... well, it’s a bit of a slog in the middle.
There’s a lot of walking.
So much walking through fields and near huts.
I found myself wondering if they were ever going to actually *do* anything to the villagers or just keep staring at them from the shadows.
It reminded me a little bit of the slow-burn tension in The Pursuing Vengeance, though this is much more grounded in reality.
One thing that really stuck with me was the facial expressions of Dongil Lee.
He has this way of looking terrified that doesn't feel like acting.
His eyes get all wide and you can see the sweat on his forehead.
It makes the supernatural stuff feel much heavier.
The revenge isn't even that violent, which I actually liked.
It’s more about the psychological weight of knowing these guys are *always* there, watching.
There’s this scene with a bowl of food that just sits there, and for some reason, it’s the most tense part of the whole film.
Don't ask me why, it just worked.
I will say, the ending feels a little bit rushed.
It’s like the director realized they were running out of film and needed to wrap it up in five minutes.
But the final image is pretty haunting regardless.
Is it a masterpiece? Probably not.
It lacks the polish of something like The Impersonation.
But it has soul.
You can tell the people making it really cared about this specific, small story.
It feels like a personal project, even if some of the technical stuff is a bit wonky.
Sometimes the camera wobbles a little bit during the outdoor scenes.
I kind of liked that, though.
It made it feel like I was there in the mud with them.
Anyway, if you want a ghost story that feels like a dusty old book you found in a basement, give Three Friends a look.
It’s slow, it’s quiet, and it’s definitely weird.
Just don't expect a happy ending. 👻

IMDb —
1924
Community
Log in to comment.