The Global Archive Complementing the Tone of A Gentleman's Agreement: Cult Guide

Dir: David Smith

Peggy (Bessie Love) and her sister Frances (Myrtle Reeves) live with their father, but because of his idleness, they must all move to humbler quarters. Peggy adapts quickly to their new surrounding, while Frances misses the social life she once enjoyed. Their neighbors are well off, and Peggy begins a romance with their son, whom she thinks is the chauffeur. Meanwhile, Frances has become involved with a roguish character and plans to elope with him. Peggy saves her sister from imminent disgrace, but comes close to compromising herself instead. Peggy's sweetheart comes to her rescue and now his true identity is revealed to the very grateful girl.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of The Wishing Ring Man perfectly mirrors the editorial trajectory of our deep dive.

Forced to wear quaint short dresses and pigtails so that she will inspire her grandfather's sentimental poetry, nineteen-year-old Joy Havenith longs for companions of her own age. One day Johnny Hewitt, seeing her confide her troubles to her Aunt Lucilla's portrait, tells her that if she wishes hard enough, her dreams will come true. Not knowing his name, she thereafter thinks of him as her "wishing ring man." Soon Joy meets a married couple who invite her to the city. Because her grandparents will not let her leave until she is engaged, she lies that she is the fiancée of a man of whom her friends have spoken, Dr. John Hewitt, not realizing that he is her "wishing ring man." John agrees to play along for a month, to the dismay of his fiancée, Gale Maddox. After the wedding presents and bridesmaids have arrived, Joy, thinking that John loves Gale, leaves the rehearsal and returns home. John then finds her confiding to the portrait and declares his real love for her.

Dir: David Smith

Having been discharged as the Van Smuythes' coachman for drunkenness, Thomas McQuade has joined the Bed Liners in Madison square. It is freezing cold. Standing beside him is a young man, shabby but neat. They exchange confidences and Thomas learns that the young man has just been discharged from a hospital without a penny, his wife and child having been obliged to return to her mother. He had married against the wishes of his unforgiving relatives. Just then an automobile dashes up Fifth avenue and, when opposite the Bed Line, drops an extra tire. Thomas catches it and returns it to the owner, expecting at least a dollar for the service, but, instead the imposing gentleman asks him mysteriously if he knows the Van Smuythes, and on learning that he does, Thomas is forthwith taken to a palatial house in the Seventies and fed on cold fowl, tea biscuits and wine. While thus pleasantly occupied two women are mysteriously ushered into a side room, where his host, Prof. Cherubusco, the great clairvoyant, tells them that the Chaldean Chiroscope has been successful, for had it not said "By the fifth wheel of the chariot he shall come?" But the professor, learning instead that Thomas is the Van Smuythe's ex-coachman, throws him into the street. So back to the Bed Line goes Thomas, where he resumes his conversation with his new friend. Suddenly a sturdy girl rushes up to him. It is Annie, his sweetheart and maid at the Van Smuythe's, whom he has not seen for a month. She says his old position is waiting for him, but suddenly catching sight of the other man she screams, "Mr. Walter!" And then it appears that she had accompanied her mistress to the great clairvoyant and he had hold her where she would find her sweetheart, and she had also found "Mr. Walter." After paying the car fares home she vows to give her remaining $11.85 to Professor Cherubusco, "the greatest man in the world." Moving Picture World, February 2, 1918

Dir: David Smith

A visual fragment from the archive: The thematic resonance of The Fifth Wheel perfectly mirrors the editorial trajectory of our deep dive.

The Hollisters, a bright, spirited, wholesome family, are compelled to move into the country. After many efforts to secure a home, Shirley, eldest of the Hollisters, contrives a way out by renting a magnificent old stone barn at a ridiculously low price, transforming it into a house. The owner of the barn is not an ordinary landlord, as you will see, for he is a young man with fine ideals, and he is not content with establishing Shirley and her family in the quaintly beautiful old place, but makes the world a much happier place to live in for all of them

Dir: David Smith

A fascinating piece of cinema that shares thematic elements.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of The Enchanted Barn perfectly mirrors the editorial trajectory of our deep dive.

Jim Carvel, whose father Henry, a newspaper owner, has been killed by the local political boss for exposing a theft ring, shoots his father's murderer and escapes to the Canadian Northwest where he befriends Nepeese, daughter of a local trapper named Pierre. Brutal trading post owner "Bush" McTaggart attacks Nepeese while she is alone in her cabin. Pierre arrives home and tries to defend his daughter, but McTaggart kills him. To clear himself, McTaggart blames Jim for the murder, and while a group of Indians track Jim down, kidnaps Nepeese. Jim is rescued by his half-breed friend De Bar while Baree, Nepeese's dog, hunts down and overcomes McTaggart. Freed from McTaggart's clutches, Nepeese marries Jim.

Dir: David Smith

Anna Sewell's "autobiography" of a horse named Black Beauty is here expanded to include the adventures of the humans who surround the horse.

Dir: David Smith

A visual fragment from the archive: The thematic resonance of Telemachus, Friend perfectly mirrors the editorial trajectory of our deep dive.

A hobo hires out as a sheepman. The owner of the ranch is a mysterious individual, who is suspected of being Black Bill, a badly wanted man.

Dir: David Smith

Gilbert Thurstan, deputy inspector of the British Civil Service Commission in India, is warned by a physician that his wife, Emily, cannot remain in the hot climate where he is stationed, and he applies to his superior, Vincent Chalmers, for a transfer. Vincent is enamored with Emily and sends Gilbert to a post in Kajra, where the previous inspector died of fever. Emily goes to Simla at her husband's behest, with Vincent in pursuit. While he attempts to romance Emily, her ailing husband clashes with Hindu fanatics but manages to quell them single-handedly. Emily rejects Vincent, who is wracked with guilt over his treatment of Gilbert and travels to Kajra to relieve him of his appointment. Gilbert is reassigned to another city, where Emily happily awaits him.

Dir: David Smith

On a voyage to Europe, reformed criminal Anthony Trent seeks former war comrade "William Smith," the only person who knows his true identity. In England, Anthony discovers that Smith's real name is Arthur Grenvil, the son of the Earl of Rosecarrel. He also meets and falls in love with Arthur's sister Daphne. Upon learning that the earl is being blackmailed by Count Michael Temesvar, who threatens to expose a treaty between their two countries, Anthony embarks on a suicide mission to the Balkan States to retrieve the treaty, overcoming a myriad of deadly obstacles. Following Anthony's escape in the count's silver automobile, the earl rewards him with an Australian ranch and Daphne's hand.