The Definitive Guide Inspired by the Vision of A Victim of the Morm...

Dir: August Blom

After Sylvia Lafont's dance partner falls ill a replacement must be found quickly in order to perform the famous Vampire Dance. A newspaper ad is placed a number of hopefuls respond but Sylvia quickly chooses Oscar but tragedy results.

Dir: August Blom

A visual fragment from the archive: The thematic resonance of The Black Chancellor perfectly mirrors the editorial trajectory of our deep dive.

Chancellor von Rallenstein forces Princess Irene to marry Prince Deima instead of her true love, Pawlow. The secret lovers seek to get married anyway, sending the Chancellor into a rage.

Dir: August Blom

A fascinating piece of cinema that shares thematic elements.

Dir: August Blom

A visual fragment from the archive: The thematic resonance of For sit Lands Ære perfectly mirrors the editorial trajectory of our deep dive.

Young white girls who were kidnapped and held captive and in imminent danger of being sexually molested. And the moor slaveholder will incorporate the poor girls in his harem.

Dir: August Blom

Count Von Teyn is a young officer in a cavalry regiment, and after a romantic courtship and marriage he unwittingly subscribes to a fund for the benefit of Miss Phoebe, a professional equestrienne. The latter thanks the Count by letter and asks that she be permitted to thank him in person. The letter falls into the hands of his wife, Lydia, and she witnesses the meeting and returns to her parents in a jealous rage. The Count later begs for forgiveness and a reconciliation follows. In a race for the King's cup, Count Von Teyn is one of the principal riders and Lydia, in company with her millionaire father, Peter Romford, and many other notables, occupy box seats in the grandstand. During the steeplechase, Count Von Teyn is thrown from his mount and injured. The family physician calls in consultation two eminent specialists and they agree that the young nobleman has suffered injuries which will cause him to be a cripple for life. Lydia bears this news with fortitude, and resolves to devote the remainder of her life to the care of her husband. The latter suffers intense agony and on one occasion attempts to gain possession of a revolver belonging to a brother officer, who is paying him a visit. Failing in this attempt to end his life, the Count implores his wife to furnish him with the means of self-destruction. As well as his helpless state will permit, he pictures the agonies which foe must suffer until death brings relief and Lydia finally succumbs to his pleading and furnishes the medium. It is now her turn to bear the unspeakable suffering which possesses her at the mere thought of her act. The authorities charge her with the murder of her husband and she is placed on trial. She pleads her innocence after a scathing denunciation at the hands of the public prosecutor. The summing up of the judges is prolonged, but in the end, Lydia is acquitted and leaves the courtroom surrounded by her parents and friends.

Dir: August Blom

A visual fragment from the archive: The thematic resonance of Den hvide Slavehandels sidste Offer perfectly mirrors the editorial trajectory of our deep dive.

Ernest Des Tressailles, a young Bourbon officer, arrives with some companions at the castle of Trionville to marry Alaine de l'Etoile. While they are at the wedding feast, Republican troops arrive, but Ernest escapes only to be captured later. He is sentenced to be shot the following morning. He is paralyzed with fear and Alaine, though surprised and disappointed by his cowardice, determines to save her husband at any cost. She entreats Marc Arron, the stern Republican, to save Ernest. At last Marc Arron. influenced by her beauty and his love for her, accedes to her entreaties, and exchanges clothing with the condemned man. In the garments of the latter he sits down to await the hour when he must atone with his own life. Alaine is captivated by his courage. Marc Arron informs Montaloup, a member of the committee of public welfare, that he has permitted Ernest to escape. Montaloup pities him for his blunder, but Marc Arron rejects all sympathy. When Ernest later on returns voluntarily, Marc Arron refuses to accept the pardon offered, as he wishes to set an example for all true patriots. In the white and gold uniform of the White Hussars he strides to the window and commands the soldiers to fire, while he shouts, "Long live Alaine. Long live the Republic."

Dir: August Blom

The notorious criminal Barra is approached by Agent Frank for a profitable collaboration. The brand new designs of a revolutionary internal combustion engine is the target.

Dir: August Blom

A visual fragment from the archive: The thematic resonance of Was She Justified? perfectly mirrors the editorial trajectory of our deep dive.

Muriel Yorke has a fond husband, but he is so absorbed in his duties as head of the detective bureau that he has little time to devote to his wife. He is inattentive, not intentionally, but the fact remains that all of Muriel's pretty arts designed to distract him from his work are in vain. Time hangs heavily on her hands; she takes her meals alone, and gradually sinks into a state of melancholy. One evening while in search of recreation, Muriel visits a fashionable café unattended, and there meets Eric Le Blanc, a gentleman in manners, but in reality the chief of a band of international conspirators. He introduces himself as the Baron de Corril and Muriel keeps her identity a secret. Their friendship soon ripens into love, but Yorke is so deeply absorbed in his duties that he fails to notice the change that has come over his wife. In the interim, Le Blanc receives secret information from one of his spies that inspector Yorke has in his possession a description of every member of the gang and Le Blanc is urged to obtain possession of these at once. This he undertakes to accomplish and breaks into Yorke' s house on the same evening. During his search for the incriminating evidence, he comes face to face with Muriel, and for the first time learns her identity. He hides the real purpose of his visit to the house and explains that love had prompted him to follow her from the museum, at which they earlier had held a rendezvous. She aids him to escape, but in the meantime inspector Yorke has been attracted by strange noises in the house and makes an investigation. He enters his wife's bedroom and finding her apparently asleep, continues his search. He finds finger prints on the door and later identifies them as those of Le Blanc, the conspirator. When Muriel learns that her husband is preparing to raid on the apartment of the conspirator, she hesitates between love and duty and finally decides to warn her lover of his danger. She hastens to his apartments and implores him to escape while there is yet time. She points out that they may both leave the place without being seen, but Le Blanc refuses, and prates that her love has made him a better man, and that he proposes to accept punishment for his crimes and then lead a better life. In the meantime Yorke has obtained proof of his wife's perfidy, and with two detectives breaks into Le Blanc's apartments. Standing in the center of the drawing-room is the guilty pair awaiting the blow that is about to fall. Inspector Yorke glares scornfully at his wife for a few seconds; then challenges Le Blanc and orders his arrest. As the detectives are taking him from the room Muriel makes a move as if to rescue him, but Yorke grasps her by the wrists, and. after burning her soul with his reproaches, casts her aside as an object unworthy. She is left to her own conscience.

Dir: August Blom

A comet, passing by Earth, causes rioting, social unrest, and major disasters that destroy the world.

Dir: August Blom

Hamlet suspects his uncle has murdered his father to claim the throne of Denmark and the hand of Hamlet's mother, but the prince cannot decide whether or not he should take vengeance.